What would you like to learn?

Hey everybody, just doing some informal market research. Can you please take a minute or two and answer the questions below? Please feel free to expound if you’d like 🙂

1. What kind of learning experience do you prefer best?
a) Single Technique Tutorials (like searching for “Provisional Cast On” on YouTube and watching videos).
b) In-person project-based classes at a LYS (like a class to make a particular garment/accessory where the class goes over any interesting techniques or tips in order to produce that piece, but the focus is clearly on making the garment/accessory)
c) In-person technique-based classes at a LYS (like a class on different methods of shaping a sleeve. Not tied to a particular project, but more knowledge based that you can apply to your own projects).
d) Other. Please explain.

2. Do you prefer classes to be a weekly recurring thing (i.e. 2 hours every Thursday for a month), or a one-time thing (i.e. 4 hours on a Saturday)?

3. What subjects would you like to learn more about? This is totally me fishing for ideas for new classes, so go nuts! 😀

Thanks everyone!
Miriam

Matching Folded Hem Tutorial

I’m working on a new design. A cowl with a nice folded hem edge… very neat and tidy… with a reverse stockinette turning row. Starting the project I like to think through all the details and this one had me a little stumped. I was thinking about how to make the BIND OFF end of the cowl match the neat and tidy folded hem of the cast on edge. Usually, designers just instruct you to knit the outside of the hem, work the turning row, then work the inside hem, bind it off, and stitch it down afterward, but since I’m a stickler and really wanted something that would stretch and move the same way the Cast-On Edge hem did, I decided to play around a bit. If you know how to do the Cast-On Edge Hem, skip down to the next header to see the Bind-Off edge version 🙂 Here’s what I came up with….

First, let’s do the Cast-On Edge Hem.

If you’ve never done it this way, I highly recommend you try it. It takes a bit more time to get started, but it leaves such a clean join that I think it’s worth the time.

Tutorial Photo 1Here we have a provisional cast on (tutorial video here), the olivey green facing (done with a smaller needle. Normally I would have done one size smaller, but I couldn’t find my US 5, so I used a US 4), with the last row of the inside facing knit in the Main Color (white). If you skip this step and change colors right before you begin the turning row, then your turning row will have both the Facing Color and the Main Color on the purl bumps. Work the turning row with the smaller needle helps you keep a nice firm edge, but then change to the larger needle and knit an equal to slightly longer length of the Main Color knitted with the larger needle for the outside of the hem. Sometimes these hems have a tendency to flip up, but I find that if my outside length is just a slight bit longer, then the firm fabric on the inside tends to keep the curl in check a bit more. YMMV.

Tutorial Photo 2

Now start undoing the provisional cast on. If you did a chain tail, once you undo all the chains you’ll get to this point. Move the olive green tail out of the way and you’ll see a loop of your Facing Yarn stuck between two segments of your provisional yarn (the blue yarn in my swatch). That loop of olive green is a live stitch.

Tutorial Photo 3Slide your left hand needle (the one holding all your stitches into the Facing Yarn Loop. It should have the same orientation as all your other stitches (right leg in front, left leg in back).

Tutorial Photo 4Then if you pull the waste yarn tail gently the chain will “unzip” and that stitch will now just sit on your needle.Knit together one Main Color stitch with one stitch from the provisional Cast-On. Now the next stitch from the provisional cast on should be stuck between segments of the waste yarn. Repeat the last 2 steps for all stitches across the provisional edge. If you didn’t increase during your swatch then you should have the same number of stitches in the provisional edge as you do in the live Main Color stitches. *Note:* The last stitch of the provisional cast on doesn’t really look the same as the rest, but if you pull both ends of your waste yarn up and away from the swatch, then that last stitch should lift up and present itself for you to knit it together with the last MC stitch.

EndHemTut5This is what your swatch should look like from the wrong side as you join the provisional and live edges. You can see that the knitted joining row makes a line of the main color appear on the contrast facing. It reminds me of top stitching on a sewn garment, and it’s one of my favorite parts of a hem like this.

Now, let’s do the Bind-Off Edge Hem.

So the problem is that a Cast-On Edge hem is worked with the knitted-together join at the very top because the live stitches from the outside hem are there, and the provisional stitches from the contrast facing can be folded up to meet them. Both ends have live stitches, which are worked together to form the join. But a Bind-Off edge hem will only have one live edge to join and nothing to join it to because you have to knit PAST the join point in order to knit both the outside and inside of the folded hem. So here’s my fix.

 

Tutorial Photo 6At the join point (If your folded hem is 1″ wide, then it would be 1″ before the desired length of the piece). You need to work a doubling row. To do this, knit into the front of the first stitch, leaving the original stitch on the left hand needle….

Tutorial Photo 7

Then knit into the BACK of the first stitch using a much smaller and seperate needle. This can be a bit tricky. It feels a bit like a backwards three needle bind off. The key is to make sure that your working yarn is always UNDERNEATH the two needle points. So after you knit into the front leg of the stitch, bring the yarn down toward the swatch, bring your second needle in on top of the working yarn, and then knit into the back of the stitch.

Tutorial Photo 8Repeat this all across the row. You should have the same number of stitches on the back needle as the front needle.

EndHemTut9and10

Then work a matching outside hem piece, change to the smaller needle and work the reverse stockinette turning row. Change yarns (since the stitches left on your needle after the turning row will become the matching edge of MC in the CC facing once you knit them with the contrast yarn) and one row short of a matching contrast hem. You need to stop one row short because we’re going to create the last row with a modified kitchener stitch in the next  step. The front should look like the photo on the left, and the back should look like the right-hand photo, with the smaller needle still hanging out in the extra stitches on the doubling row.

Tutorial Photo 11

Now fold the end of the contrast hem toward the doubling row and break your contrast yarn with a tail about 3 times the length of the row. Thread the tail on a tapestry needle and work modified kitchener as follows: Go through the first stitch on the front needle as if to purl and slip it off the needle……

Tutorial Photo 12Thread through the next stitch on the front needle as if to knit, and leave it on.

Tutorial Photo 13

Thread through the first stitch on the BACK needle as if to purl and slip it off the needle, then thread through the next stitch on the back needle as if to knit, and leave it on.  Both front and back needles will have the same “Purl, Off, Knit, On” treatment. This is what will give you the little line of MC purl ridges that looks so much like top stitching!

EndHemTut14The Cast-On Edge Hem is at the bottom and the Bind-Off Edge hem is at the top. You can see that from the back there is a slightly different look to the doubling row.

EndHemTut15But from the front, the look the same (except for the place close to the left side on the top hem join where it looks like I accidentally worked two stitches together during the doubling row. Oops. 😀 Figured it out when I had extra stitches in the graft). But close enough 😉

Enjoy! Many happy facings to you!

M

 

 

Spring Craftsy Sale and Upcoming Events

SpringCraftsySaleHey everyone! Just a quick note to let you know the Craftsy Spring Sale has been extended! There are some really fabulous classes being offered at great discounts, including mine, which you can get for $14.99! Some of the classes I’ve been taking and enjoying are on sale too (like Sewing with Knits and The Couture Dress), plus some that I want to take like Fashion Draping and Knit to Flatter taught by Amy Herzog and based on her great web series and upcoming book. There are also some great cooking classes to check out if that’s more your bag! I haven’t started my cheesemaking class yet, but I want to! Check it out!

TriangeShawlClass1The LA County Yarn Crawl begins in a couple of days and Knit Culture has some pieces of mine for a trunk show going up. Check out all the great LA area yarn shops and try on some of my favorite pieces! The yarn crawl runs from April 11-14, but my trunk show will be there until the 4th of May.

Also, to end the trunk show at Knit Culture, I’ll be stopping by to teach Triangular Shawl Shaping on Saturday, May 4th from 2-5 pm. It’s gonna be great fun! We’ll go over 5 different ways to shape a triangular shawl by making 5 mini shawls. If you’ve been afraid to try a shawl, or just want a better understanding of how the shape is made, this is a great class for you! Come join me at Knit Culture on the 4th! You can sign up for the class here or by calling the shop.

Super Handy Fabric Care Symbol Chart

Every wonder what the geometric symbols on your clothing tags or yarn labels mean? Here’s a great reference for you! I have had it printed and kicking around in my design notebook for a few years. Unearthed it again today to print and hand out in my Fearless Knitting class 🙂

Fabric Care Symbol Guide from the Cleaning Institute, originally found via Whipup.net

Yarn Weight Chart

It’s come up a couple times, so I’m posting it here. It has yarn weights, wpi equivalents, suggested needle size, alternate names. Yardage range for wool or wool blends, etc… Click to make it bigger.

YarnWeightChart

Starts and Happy Accidents

DarkerBlack
I’ve started the first piece in the new collection (with yarn arriving quickly for the other pieces). Just before the weekend* I started the colorwork. Right now it seems like two shades of black. It may not actually look different enough to show in the end, but I’m rolling with it. I am reminded of Archer though, with his turtlenecks of black and a slightly darker shade of black.

The yarn for this one is Fancy Tiger Heirloom Romney, which is such a lovely toothy wool! It’s dyed (and now distributed to other shops!) by Jeane deCoster who does an amazing line of North American Shetland over at Elemental Affects.

VoileCowlI’ve also been interspersing some sewing and English paper piecing with the knitting. I’m dying to start a new dress, but want to finish the segments on fitting a muslin in my dressmaking class before I get too deep into it, so I was consoling myself with digging through the fabric stash and plotting. I came across a half-yard of Anna Maria Horner Voile that I had accidentally ordered from Hawthorne Threads thinking it was standard quilting weight cotton. So I followed Fancy Tiger’s lead, but just folded my half-yard in half instead of using two different fabrics. Then, since the part I liked best was right along the fold, I shifted it so the seam goes down the center of the tube before I sewed it into a möbius. It’s light and easy to wear and I forsee it being a great gift with a bit less happenstance to it 🙂 I’ve also determined that I need to plan more projects using Voile!

M

*In my ever-evolving quest to find balance in my work/home life – since I work from home and disconnecting is hard – I’ve started working on personal projects on the weekends and only doing “work” knitting during the week. We’ll see how it goes.

New Collection for Manos del Uruguay Yarns

I’ve long been in love with the yarn line from Manos del Uruguay. I’ve used their silk blend in my Dimorphous Mitts pattern, and Serena (a surprising and luscious blend of Pima Cotton and Baby Alpaca) in the Furrows Shawl. So I was totally on board when they asked me to design a collection for their Spring 2013 pattern line. They launched it at the Winter TNNA show, and if you follow on instagram, you’ve probably seen a few snaps of it.

They are meant to be a nice mix of layering pieces to transition from the early days of spring to the blessedly cool nights as summer settles in. Here they are! Click the pictures to embiggen them 🙂

MeloMelo

This lovely A-line pullover is knit in Serena with stripes in Maxima. The loose shaping and v-neck would be great over a camisole and a pair of cropped jeans. Knit at 18 sts/4″ the fabric is open, drapey, and perfect for spring. You could keep the palette neutral, or pick a bright main color and do a natural stripe. The possibilities are endless and could change the whole look.

Check it out on Ravelry.

AlgortaAlgorta

Algorta is a drapey little number, worked in Serena, with a not-too-ruffley peplum, and a lace band slung low across the hips. With a set-in cap sleeve and a low scoop neck, this top would be great over a pair of pants, or with a flowing linen skirt. Keep an eye out, this lacey pattern will appear again throughout the collection.

Check it out on Ravelry.

SolisSolis

I have to say, Solis is my favorite of the pieces (although I do love them all), I have yarn sitting next to me on my desk as I type this to make one for myself. From the front it looks like an easy, scoop neck tee, but the back is that lovely lacey pattern you saw in the band of Algorta. It’s fun to work, and blocks out to such a beautiful, geometric mesh. Solis has just a hint of sleeve and knit in Silk Blend, it’s such a versatile piece with just a hint of shine. It’s eminently wearable and I see it paired to great effect with a brightly colored tank underneath.

Check it out on Ravelry.

AnilloAnillo

Anillo takes the same stripe pattern from Melo, and turns it into a slouchy hat. The twisted ribbing will keep it firmly in place on your head, whether you want to wear it farther back, or pulled down to your eyebrows (depending on the weather…). Knit in Silk Blend with brightly colored Maxima stripes, it would brighten up any gray, rainy spring day.

Check it out on Ravelry.

collarinCollarin

And last, but certainly not least is Collarin, a simple cowl knitted in Silk Blend, with double button holes. When you fold the button holes together, then pop the buttons through, the whole cowl ruches around the buttons. The buttons are handmade, featuring brightly colored swatches of the same lacey pattern from Algorta and Solis. There’s a tutorial on how to make the buttons in my guest post on WhipUp.net

Check it out on Ravelry.

For now the collection is only available through Fairmount Fibers (Manos’ parent company and distributor in the US), but this summer the patterns will be available for download and purchase through all my normal distribution channels. I will, of course, let you know when that happens. But for now, if you want to buy the patterns, talk to your LYS that carries Manos del Uruguay yarns and let them know.

I’d love to hear what you think about it!

And thanks for all the patience while I went through Radio Silence while working on it.

Mwah!
Mim

MercedesYou all know how much I love my Craftsy class… well, my good friend Mercedes Tarasovich-Clark recently released her own project based class called The Seamless Artemisia Sweater. And now I’m quite pleased to interview her a little and be a stop on her Blog Tour. Mercedes has been a yarn-dyer, and has a fantastic catalog of knit & crochet designs, both self-published and published through print and digital magazines and books. Let’s jump right in…

promo

Q: So your Craftsy class debuted a couple months ago, how have you liked the Craftsy experience so far? Have you learned anything new in the process? What was your favorite part?

A: I’ve loved working with Craftsy! From producing the video content, to the support, to working with students, it’s been great. I’ve taught a couple of small scale online classes before, so I’m familiar with answering student questions and problem-solving for that format, but Craftsy’s platform has made it SO much easier to help students. I think that interacting with students as they knit step-by-step through one of my patterns has helped me get some new ideas for how to make my patterns even more knitter-friendly, by seeing what parts of the process can be most intimidating or challenging for an average knitter. As a designer, it’s easy to lose sight of what I may have thought was a pretty common skill set, forgetting how stressful it was when you first try to tackle a new skill. One of the great parts of the Artemisia class, since it’s a knitalong style class, is that I’m with my students from cast on to finishing, in a way that would have taken many meetings to accomplish with face-to-face classes. When they get stuck, they have really solid support, since I can answer individual questions. Plus they can learn at their own pace and not feel rushed.

Q: Can you tell us a bit about the sweater around which the class is based? What does knitting this sweater teach someone taking the class?

SAS_03A: The Artemisia sweater is based on an unusual construction, using a top down, set-in sleeve shoulder. The entire upper body is built off of the cast on at the front and back neck and shoulder “seam”, and then tailored set-in sleeves are worked outward from there, seamlessly in the round. There is a purl leaf lace panel at the front neck, and we discuss reading lace charts for the pattern. From there, we split the body and sleeves and work the hourglass shaping for the body. In class I discuss possible modifications that knitters can make to tailor the fit to their body by changing the waist shaping and length. We’re all built differently, so having some basic ways to change a pattern is an important skill to learn. I also cover how to make a knit-in lined pocket, which is a great construction technique to know to add pockets where you want on other garments. Artemisia also has two different sleeve length options, 3/4 and full.

Q: What do you think is the biggest challenge facing knitting designers right now?

A: I think as the market is changing and more of the knitting community is moving online, it’s important to keep up with the changes in technology. The Craftsy class platform is a good example of that, since even a few years ago, many knitters wouldn’t have thought to spend the money on an online class. It was unfamiliar territory, so who knew what you would get for your money, right? Now more and more knitters are comfortable with online media, so staying up to date can be a challenge, but it’s definitely worth the effort. From optimizing layouts for online use, to adding video content to your blog, there are lots of little tweaks to keep up with to make the online experience beneficial for customers and fans. I think many of us now deal more directly with the knitters who use our patterns, so more of the responsibility can fall to individual designers, rather than publishers or yarn shop owners. It’s not just about designing, but a myriad of other tasks to support our customers.

SAS_06Q: How does your daily life in Birmingham inform your designs?

A: Well, one thing about Birmingham is that it can be a different fashion landscape than much of the rest of the country. Because it’s the South, the weather here doesn’t support wearing a ton of the winter wear that makes sense in Northeastern or Midwestern snow. Also, we can be slow to pick up on fashion trends here, sometimes by 1-2 years. I try to keep current on all aspects of fashion options by visiting sites like Pose or Polyvore. These not only show me fresh runway looks, but what women are wearing and how they pair pieces. It gives me a fresh perspective on colors, shapes, and textures. I add local Birmingham style to that, along with my own personal aesthetic, to create looks that are feminine and will last as classic pieces.

Q: What is your go-to comfort knitting?

A: Swatches. Whenever I don’t know what to knit, but want to have the comfort of stitching, I grab a skein and cast on for a swatch. It’s all of the fun, with no pressure or expectation. Eventually, some of them turn into real project options, others get ripped and re-knit or re-stashed.

Q: If you were stranded somewhere, and had to knit and reknit the same skein of yarn until you were rescued, what yarn would you want to have with you?

A: Hand-dyed wool. Probably a sport or DK weight. I have too many favorite brands to pick just one! I love Lorna’s Laces, Blue Moon Fiber Arts, and Cephalopod Yarns; their colors resonate with me, and they all have excellent yarn bases.

Q: Are you an obsessive swatcher, or do you tend to wing it when you’re knitting? Are you somewhere in between on that spectrum?

A: Ha! Remember what my comfort knitting is, right? Yes, I’m an obsessive swatcher. A recent sweater project involved about 6 large swatches by the time I was through: several just to figure out optimal gauge and needle size, and then another couple to test colorwork patterns and the neckline shaping. I use swatches not just for gauge, but as a small-scale test platform to try out edging options, finishing techniques, or embellishments. It seems like a time-suck to a lot of knitters, but has saved me countless hours of ripping and re-knitting.

Artemisia Title CardSo take a minute to check out The Seamless Artemisia Sweater trailer, and if you’re interested, sign up! It looks like a great way to learn some new techniques and end up with a very wearable sweater at the end 🙂 Thanks Mercedes!

<3 Miriam

Musing on Project Bags

Lizzy House Pearl Bracelet & Kaffe Fassett Shott Cotton Bundles

Lizzy House Pearl Bracelet & Kaffe Fassett Shott Cotton Bundles

I’ve been plotting (and thoroughly over-thinking) my project bags for the swap. I hope that a bunch of you are participating. I’ve already received a couple of bags for the swap and I’m bubbling over with excitement!

If you want to participate, but aren’t sure where to start, here’s a roundup of tutorials.

Zippered Box Bag Tutorial – makes a fully lined box bag with a nice sturdy tab to hold onto while you zip.

Zippered Wide-Top Pouch – a nice fat opening for a large project, plus the boxed corners that make it stand up easily.

Lunch Sack Style Bag – A perfect showcase for a glorious button!

Pyramid Zipper Pouch – Makes a great stand-up bag that, if you put a wrist strap on, will hang daintily from your wrist while you knit from it.

And now a round up of not 1, 2, 3, or 4, but *5* drawstring bag tutorials – they’re all lined, some have round flat bottoms, some are better for stuffing into another bag, but all of them are a great platform for showing off lovely fabric.

I hope these get your sewing creativity flowing! Go forth and buy fabric! If you’re looking for a great place to get fabric in small quantities online, My favorite places for fat quarters are Sew Fresh Fabrics and HB Fabrics.

I’m off to find some linen today!
M

Back to the Snowy Mountains

2013-02-08 09.07.38I am torn. While I really do love being home, I left behind palm trees and sunshine in California and returned to snow in the mountain desert.

I got a lot done at TNNA, including sourcing the yarns for my next collection (the focus of which is Modern Colorwork, and you will LOVE it!), launching my collection with Manos del Uruguay yarns (which I will start showing you this week), and catching up with some of my favorite people.

I also stocked up on all the middle eastern food items I can’t get easily at home like Sumac, Za’atar and cracked green olives. I’m sure the 2 cans of olives baffled TSA, as they searched my luggage on the way home. Look for a glut of Middle Eastern food coming soon, spurred on by my recent cookbook purchase of Jerusalem. Grain salads and fresh flavors are the perfect thing for the transition back to winter.