I guess I shouldn’t be surprised that when asked which body part you would like to have made bionic, women choose their brain and men choose their penises. Still, it’s pretty funny. Watch the video! Thanks you Feministing!
Miriam Felton
Random List sans Photos
In the forced absence of photographs I feel confident in blogging without pictorial evidence. But since my mind is random, you get a random list.
- I was talking to a coworker who quilts and she referred to her “stash”. It took me a second to realize she wasn’t talking about yarn.
- The shawl is progressing, but some SnB excursions that weren’t precisely lace-conducive have stalled it’s forward momentum. I’m planning to work a lot on it this weekend though, so if I can use someone else’s camera, I may have some goodness to show you. I’ve got a large portion of the shawl charted, so I just need the time to sit down and knit it.
- I’m also working on the Mock Cable Wave socks from Favorite Socks in some Regia yarn that I got as part of my Loopy Groupie welcome package. They’re my go-to project when I’m stalled on the shawl or need something a bit simpler.
- The eternal struggle for pants that fit has come to an end (at least for a while), with my discovery of Ann Taylor Loft’s pant sizing system. Apparently I am a “Julie” fit, so I bought myself some dress pants. They fit wonderfully and are fully lined and I’m comfortable, so I’m happy. Now I just need to find the money to buy more.
- Even though it’s not technically released yet and I haven’t received my comp copy, some yarn stores have received The Best of Interweave Knits book and are selling it to customers. I’m almost tempted to buy my own copy and then I’d have 2, but what do I really need 2 for?
M
A sad day indeed….
… I have been putting off taking pictures of my new toy to show you all (as well as new bag to put said toy in and new yarn and new books and new knitting) because I guess I thought if I left my digital camera alone long enough it would fix itself – yes… I’d like some lemonade with my delusions, thank you.
It won’t focus on anything, not in macro setting, not with direct and very bright light, not with my elbows resting on tables as a tripod. I could give you a million blurry pictures of the things I’ve been doing and acquiring… but it would just piss me off.
I’ve taken it to the a repair shop that specializes in digital cameras and they’ll call me by Tuesday with an estimate of what it would cost to repair so I can say yay or nay. Until then, it might just be a pictureless blog.
Bear with me!
M
Can't Blog….
… World of Warcraft ate my BRAINS!
I did make a LOT of jam this weekend and did a few loads of laundry, but other than that played with my new toy and played WoW. More on that tomorrow hopefully.
Aspen Saplings
I’ve begun the Aspen Grove shawl for Wooly Wonka Fibers. Last year most of my shawls were top-down triangles, and this year there have been a lot of stoles (although you haven’t really seen any of them, trust me). So for this one I wanted to do something different. Maybe something half-round.
First I e-mailed my math genius of a sister about formulas to calculate how often I should increase for a half-round shawl. She sent me this in response. If you’re not mathy inclined, maybe just skip it, but for those who are curious, here it is. It’s long:
The “wiki(circumference)” (half-circumference actually) of a half-round shawl is C = pi * r where r is the radius in inches. The increases you have to do are the rate of change of this circumference with respect to increasing radius, dC/dr if you remember your calculus. But r, the radius, increases as you work with respect to the number of rows t and the height of the stitches b (b being calculable from your row gauge swatch; see below); r = bt . So using the chain rule, dC/dr = pi dr/dt = pi * b. Please note that when the row gauge is constant, this is a constant rate of change; you will not have to add an increasing number of stitches as the rows get larger. If the row gauge is not constant, if you were to increase stitch size, say by gradually changing needle sizes over the course of the shawl to go from tiny needles to very large ones, you’d have to make a larger number of increases over the increase rows as the needle sizes got larger. This is odd, but true.
Now let a be the width of the stitches in inches (calculable from the gauge swatch). Pi * b gives you the number of inches you need to increase each time, so pi * b/a gives you the number of stitches that need to be increased each row. Notice that b/a is the aspect ratio of the stitch. The reason that increasing about 6 stitches each row produces a circle is that the aspect ratio of the knit stitch, like that of single crochet, is a little less than 1. If you had taller stitches, e.g. double crochet stitches, you’d have to increase quite a bit more per row to get it to lie flat.
To sum up, in case you weren’t able to follow all of the above:
a = width (in inches) of stitch
b = height (in inches) of stitch
number of stitches to increase each row = pi * b/aSample calculation: suppose you work up a gauge swatch and find you get 24 stitches and 32 rows to four inches. Then a = 4/24 = 1/6 and b = 4/32 = 1/8, so the number of stitches to increase each row is pi * (1/8) / (1/6) = 3 pi/4 = 2.705 approximately. So if that is your gauge, you’d have to increase *on average* 2.705 stitches per row.
Now the hard part is working out where to put these increases so that they average 2.705 stitches per row. We can only increase whole numbers of stitches per whole number of rows. If we increase, say, 3 or more stitches per row on average, we will end up with a shawl with a hyperbolic (fluttery) surface, and if we increase less, we will end up with an elliptical (convex) surface, neither of which will lie flat. If it’s only slightly hyperbolic or elliptical, we can make it more or less right when we block the shawl; but if it’s really off, no amount of blocking will help it. The larger the shawl, too, the more precise we need to be. A slight deviation from flat will produce a much more dramatic effect over a large piece than over a small one. (Note: if you want a fluttery shawl, do more increases than what your calculation suggests.)
Also, in real knitting patterns, even if we could increase exactly 2.705 stitches per row, we wouldn’t want to. We like to have increase rows and pattern rows, and moreover we want to have increase rows always worked on the same side of the knitting so that we can get a nice pattern going. Also we will want to keep the increase rows from being too far apart– working all the necessary increases in the last row isn’t going to produce a smoothly increasing shawl! The farther apart the increase rows are, the more of a “tiers of ruffles” effect you’ll get. If that’s what you want, go for it! but if not, make the increase rows closer together. (Also it goes without saying that you will want to spread the increases as evenly as possible across the increase row.)
Mathematically, this is equivalent to finding a rational number (i.e. fraction) with a relatively small, even denominator that approximates the number of increases per row, and this rational number has to be close enough to the actual value that any errors in it can be taken up in blocking the shawl. The actual way you end up doing it will depend a lot on the pattern stitch you are using. The easiest way to do it is to decide on the pattern stitch you want and then calculate the number of increases per pattern repeat. So for example if you use a pattern stitch that repeats every 10 rows, you might want to use a denominator of 10 and solve for the numerator, like so:
pi * b/a = 2.705 = x/10
x = 2.705 * 10 = 27.05 or approximately 27so if you use a 10 row pattern stitch with the gauge specified above, you will need to increase 27 stitches in that 10 rows. You can do it all at the beginning, all at the end, all in the middle, half at the beginning and half at the end, or work it in sneakily during the pattern, it is up to you.
If you want to do bands of different pattern stitches of different numbers of rows, you can calculate it separately for each band. So for example, let’s say that after you did the 10-row pattern stitch, you switch to a 16-row pattern stitch. Then you have:
2.705 = x/16
x = 16 * 2.705 = 43.28 or approximately 43 stitches
so during that band you will have to increase 43 stitches.Now you may have noticed that in both of these band calculations the number of stitches to increase was rounded down. If you find that you are constantly rounding down, your number of increased stitches will be too small, so keep track of these rounding errors. If you round down 43.28 to 43 over the course of four bands, you’ll be short a stitch at the end. One stitch over the course of an entire shawl is nothing, but if you work a large series of 16 row bands (say you have a tiny gauge) you could be short 10 or 12 stitches at the end, this is not a good thing. I don’t know how large or repetitious you intend the shawl to be and what the gauge would be, so in all probability the rounding errors will add up to close to nothing, or cancel each other out ( i.e. if you had to round one band’s increases up it compensates for rounding the other band’s down). But it’s something to keep an eye on as you design. You may have to throw in a “leap stitch” every now and then. It works the same way as leap years– we throw in an extra day every 4 years, take out a leap day every 400 years, etc.
Another design consideration may be that you would want the shawl to be flattish in the middle and fluttery (hyperbolic) at the edge. In that case you would work the body of the shawl in band(s) with the correct number of increase stitches, and work the final band(s) with a too-large number of increase stitches.
In the event that you have a pattern stitch that you can repeat over any number of rows and it would be convenient to work a specified number of increases into it and you want to know how many rows it should continue with that many increases, you can also calculate that (formula below).
So for a gauge where a = the stitch width in inches, b = the stitch height in inches, and n = the number of rows in a pattern band,
number of increases in that band = pi * n * b/a
If you’d rather work out how many rows have to go with a particular number of increase stitches m, the formula is:
number of rows = (a*m)/(pi * b)
Very technical, but yes, it makes sense. Now… the problem I came up with was that I COULD make the shawl perfectly round and sneak increases in wherever they fit best and calculate how many non-increase rows went between the increase rows, it would be a bitch to chart and it wouldn’t be easy to remember which rows were increases, and therefore really difficult to knit. It’s possible I would do it for an art piece, but for a pattern that I intend other people to do? I’m just not that sadistic.
So I went with a half of an octagon. Figuring that if you increase 2 sts each row for a triangular shawl (4 sts every other row averages out to 2 sts per row), that means that over 4 rows, you increase 8 sts. So if I divide the shawl into 4 equal wedges, that means that I need to increase 2 sts per wedge every 4 rows for a total of 8.
And that’s where I am. I drew up my charted wedge with one increased stitch on each side every 4 rows, with a plain stitch between each wedge (like the center stitch down the middle of a top-down triangular shawl and a garter stitch border to give non-curling edges.
It’s not going to be the half-round shawl I envisioned, but it certainly won’t be a triangle.
M
Blog Maintenance
Thanks to all of you for your kind words on David’s death. It has been hard for us, but our SnB on Tuesday was very healing. We were able to talk of our memories of him and the reasons for this tragedy and I think most of us came away with a new resolve to let others know how much we value them before they slip away from us.
I have progress pictures of the shawl to show you, but they are on the camera, which is at home (which, sadly, is where I am not). So you get a list today.
1. I’ve switched themes again. While the last one served me well for a good long time, I needed a switch. I really like this one and I’ve had it sitting there and ready for months. I decided to put it up so that I could have a really handy spot to put my Knitting Scout Badges. I’ll probably change that tagline pretty frequently too.
2. I also have added a new plugin (how do I love thee, WordPress), so that I can instantly add wikipedia links into any text. So let’s say I wanted to link Timbuktu. All I have to do is type “wiki” followed by (Timbuktu) and voila! wiki(Timbuktu). Spiffy eh? I don’t have to go search wikipedia for it and then manually link. If you want the plugin for YOUR wordpress blog, you can snag it here.
3. I also added a plugin so I can give ratings to stuff with cute little stars. I give this plugin [rating:5]!
Pictures soon, little muffins.
M
p.s. does anyone know of a place where I can buy The Opinionated Knitter, but pay with paypal? I know I can buy it from a seller on ebay or something, but I’d prefer a shop that comes with a recommendation from one of you. *edited to add* Thanks Siew!! I didn’t know Elann.com took paypal, but now I do and I bought the book as well as some yarn to knit the Cinnabar Pullover.
For David
*edited to add Photo* Gwen found a photo from 2006 WWKIP day of David.
A member of our SnB, David, passed away on Monday. He was a fabulous knitter, a lover of music, and very fun to be around. He held his own in our loud, opinionated and all (except for him) female group. David was working on a beautiful brown cabled sweater when we saw him last, but always had some socks on the needles. When someone new came in asking to be taught how to knit, and the rest of us sort of resented having to teach on our night off, he jumped right in and took the new knitter under his wing and started her off with a knit stitch.
I have been trying futilely to find a picture of him, with his head of curly hair hunkered down over his sock as he knit furiously, but I can’t. It seems wrong that I should have an image so vivid in my head and not have taken a real picture of it.
I’m sorry that I didn’t know how troubled you were, David. I’m sorry that we didn’t know that you needed help and couldn’t help you. If I ever did anything to contribute to your sadness, I apologize.
We’ll miss you, David.
Update on Other People's FO's.
I don’t really have an of my own, so I’ll show off other people’s, k? I’ve been getting way behind on this, so there are quite a few.
Check out Lisa’s finished Adamas shawl! It looks great!
Amanda finished her Icarus shawl in Handmaiden Lace Silk! I am so envious!
SoCherry’s finished Icarus has got a contrasting yarn as the edging and I think it looks awesome!
Inky finally finished her second Seraphim! This one, in vivid red suri alpaca, took her a YEAR to get finished! Give her a hard time about that ; )
DabHand finished her beautiful Icarus shawl in a silk/cashmere blend in a GORGEOUS blue. Again with the envy : )
I’ve blocked my swatches for the Aspen Grove Shawl, and I’ve got to say. The green-ish colorway wins out over the maples.
I'm teaching!
So I thought maybe you’d all like a heads up on this:
I’ll be co-teaching with Susan next year at the Lace in the Woods Retreat at Big Sur in central California. We’ll be discussing lace design and construction, and the retreat will also include Anne Hanson of Knitspot and Cookie A. The retreat will be held in June 23-27, 2008 and you can find more info and registration here. Jackie, the organizer, tells me that she’s got 10 spots filled, and 35 still left, so there’s plenty of room. Grab some friends and come along!
I’ll also be teaching a couple of classes at the Black Sheep Wool Company in downtown Salt Lake this fall. The plans are not finalized, but right now it looks like I’ll be teaching an Intro to Lace class on Sept. 29th and then a 3-part, weekly project class for the Icarus shawl on October 7, 14, and 21. Watch your mailboxes for the newsletter or call the shop for more info. I’ll let you know if the dates change.
I’m really excited to be teaching again. It’s been a while and I really love it. I’m also excited to meet Anne and Cookie at the retreat : ) Drop a line to let me know if you’re coming to either. I’d love to get super excited about all the people : D
M
The wonders of Heirloom Tomatoes
This weekend I bought some beautiful heirloom tomatoes at the Downtown Farmer’s Market. I just love the colors of heirlooms. And their skins are thin and lovely instead of being bred to be thick and tough. They’re just the perfect taste of summer! One of them combined with other local ingredients (local artisan sourdough bread from Crumb Brothers, and an amazing Desert Red Feta from Rockhill Creamery) to make a great and flavorful snack.
I sliced the bread pretty thinly (about 3/8 of an inch) and brushed them with olive oil. Then I slice the tomato, put it on top of the bread and sprinkled the crumbled feta on top. I put them on a cooling rack on top of a cookie sheet so that the bottoms wouldn’t burn or get soggy, and popped them under the broiler until the edges were toasty and the cheese was warm and a bit melty. When they came out I sprinkled them with a bit of balsamic vinegar and ate them warm. So SO Good!
I also made creamy leek pasta with leeks from the market, but subbing mini penne for fusili because that’s what I had. To go with the pasta, I made a salad from a spinach and greens mix from Chad’s stand, more feta, one of the small yellow heirlooms and a nectarine that I traded with a market vendor for jam. There’s something so wonderful about eating locally grown, fresh things. Something that fills you better than other food.
So what’s in store for this week? A half bushel of apples needs to become applesauce and I’ve got to finish swatching and decide which yarn I will use for the Aspen Grove Shawl. Anne’s Vermont Maples colorway was stunning, but then she sent me the Quaking Aspen colorway and now I can’t decide.
Maybe if I swatch with both of them, I’ll be able to decide?
M